PRODUCER Richard WinklerRichard Winkler is an eight-time Tony Award-winning and six-time Olivier Award-winning Broadway and West End producer, following a global 35-year career as a lighting designer for theatre and opera.
Broadway productions include: The Who's Tommy, Patriots, Merrily we Roll Along, Leopoldstadt (2023 Tony Award), Life of Pi,The Lehman Trilogy (2021 Tony Award, 2019 Olivier nomination), Ain’t Too Proud (2019 Tony nomination), Thoughts of a Colored Man (2020 Tony nomination), Diana: A True Musical Story, The Inheritance (2019 Olivier Award, 2020 Tony Award), Betrayal (Tom Hiddleston), The Ferryman (2019 Tony Award), Be More Chill, 1984, Sunday in the Park With George, Come From Away (2017 Tony Nomination, 2019 Olivier Award), Sweat (2017 Pulitzer Prize, 2017 Tony nomination), King Charles III (2016 Tony nom.), Something Rotten! (2015 Tony nomination), Hand to God (2015 Tony nomination), Disgraced (2013 Pulitzer Prize, 2013 Tony nomination), Vanya & Sonia & Masha & Spike (2013 Tony Award), Memphis: The Musical (2010 Tony Award), La Cage Aux Folles (2010 Tony Award), La Bête (Mark Rylance), A Little Night Music (2009 Tony nomination), and The Norman Conquests (2009 Tony Award). |
West End productions include: Macbeth, A Mirror, An Enemy of the People, Bleak Expectations, Patriots, Nutcracker, Standing at the Sky's Edge, Stereophonic, Stranger Things, Two Strangers Carry A Cake Across New York, Dear England, The Motive and the Cue, Come From Away (2019 Olivier Award, 2017 Tony nomination) and Magic Mike; Live.Tom Stoppard’s Leopoldstadt (2020 Olivier Award), Cinderella, The Inheritance (2019 Olivier Award, 2020 Tony Award), Home I’m Darling (2019 Olivier Award), The Lehman Trilogy (2021 Tony Award, 2019 Olivier nom.), Nine Night, Dreamgirls (2017 Olivier nomination), Memphis (2015 Olivier nomination), Long Day’s Journey Into Night (2012 Olivier Award), The Children's Hour, and Betrayal.
Richard has also worked at Dartmouth College as an adviser to the theatre department assisting with faculty development and conducting graduate student classes and mentorships. He has also made presentations on “the ins and outs” of Broadway Theatre to various investor groups. |